2023年9月28日雅思阅读考试真题及答案 9月4日雅思阅读考试真题与答案解析 谁有雅思9分达人阅读3《The Bridge that Swayed>的答案，急

很多关注雅思阅读的朋友很希望了解2023年9月28日雅思阅读考试真题及答案 9月4日雅思阅读考试真题与答案解析 谁有雅思9分达人阅读3《The Bridge that Swayed>的答案，急用，谢谢，今天雅思无忧为大家整理了相关文章，一起来看看吧！

本文目录一览：

• 1、2023年9月28日雅思阅读考试真题及答案
• 2、2021年9月4日雅思阅读考试真题与答案解析
• 3、谁有雅思9分达人阅读3《The Bridge that Swayed>的答案，急用，谢谢

2023年9月28日雅思阅读考试真题及答案

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昨天刚刚结束了最新一期的雅思考试，大家有没有被难倒呢？接下来就跟着小钟老师来看一看2023年9月28日雅思阅读考试真题及答案。
Passage1： 希腊硬币Greek coinage
参考答案：
1. 希腊coin早在3000年就出现了=F
2. T
3. Sparta地区侵略Athens并强制Athens用他们的货币=F
4. Great coins在整个欧洲流传=F
5. Persian 入侵了Lydia并且使用人家的硬币=T
6. 用硬币上的头像来奖励做出杰出贡献的人=NG
7. mint
8. stamps
9. anvil
10. reserve dies
11. 希腊硬币的重量至少=0.15g
12. 硬币的图案=the king的头像
13. 希腊被波斯征服之前的花纹是lion and doil
14. coin 在雅典被称为 owl
Passage2： 悉尼交通标识Street markers in Sydney
Passage3： Musical Maladies
参考答案：
A. Music and the brain are both endlessly fascinating subjects， and as a neuroscientist specializing in auditory learning and memory， I find them especially intriguing. So I had high expectations of Musicophilia， the latest offering from neurologist and prolific author Oliver Sacks. And I confess to feeling a little guilty reporting that my reactions to the book are mixed.
B. Sacks himself is the best part of Musicophilia. He richly documents his own life in the book and reveals highly personal experiences. The photograph of him>C. The preface gives a good idea of what the book will deliver. In it Sacks explains that he wants to convey the insights gleaned from the enormous and rapidly growing body of work>complex and often bizarre disorders to which these are prone.＂ He also stresses the importance of the simple art of observation＂ and the richness of the human context. He wants to combine observation and description with the latest in technology，” he says， and to imaginatively enter into the experience of his patients and subjects. The reader can see that Sacks， who has been practicing neurology for 40 years， is torn between the old-fashioned path of observation and the new-fangled， high-tech approach： He knows that he needs to take heed of the latter， but his heart lies with the former.
D. The book consists mainly of detailed descriptions of cases， most of them involving patients whom Sacks has seen in his practice. Brief discussions of contemporary neuroscientific reports are sprinkled liberally throughout the text. Part I， Haunted by Music，＂ begins with the strange case of Tony Cicoria， a nonmusical， middle-aged surgeon who was consumed by a love of music after being hit by lightning. He suddenly began to crave listening to piano music， which he had never cared for in the past. He started to play the piano and then to compose music， which arose spontaneously in his mind in a torrent of notes. How could this happen？ Was I the cause psychological？ （He had had a near-death experience when the lightning struck him.） Or was it the direct result of a change in the auditory regions of his cerebral cortex？ Electro-encephalography （EEG） showed his brain waves to be normal in the mid-1990s， just after his trauma and subsequent conversion to music. There are now more sensitive tests， but Cicoria has declined to undergo them； he does not want to delve into the causes of his musicality. What a shame！
E. Part II， “A Range of Musicality，” covers a wider variety of topics，but unfortunately， some of the chapters offer little or nothing that is new. For example， chapter 13， which is five pages long， merely notes that the blind often have better hearing than the sighted. The most interesting chapters are those that present the strangest cases. Chapter 8 is about “ amusia， ” an inability to hear sounds as music， and “dysharmonia，”a highly specific impairment of the ability to hear harmony， with the ability to understand melody left intact. Such specific dissociations are found throughout the cases Sacks recounts.
F. To Sacks＇s credit， part III， ＂Memory， Movement and Music，＂ brings us into the underappreciated realm of music therapy. Chapter 16 explains how ＂melodic intonation therapy＂ is being used to help expressive aphasic patients （those unable to express their thoughts verbally following a stroke or other cerebral incident）>G. To readers who are unfamiliar with neuroscience and music behavior， Musicophilia may be something of a revelation. But the book will not satisfy those seeking the causes and implications of the phenomena Sacks describes. For>appears to be more at ease discussing patients than discussing experiments. And he tends to be rather uncritical in accepting scientific findings and theories.
H. It＇s true that the causes of music-brain oddities remain poorly understood. However， Sacks could have done more to draw out some of the implications of the careful observations that he and other neurologists have made and of the treatments that have been successful. For example， he might have noted that the many specific dissociations among components of music comprehension， such as loss of the ability to perceive harmony but not melody， indicate that there is no music center in the brain. Because many people who read the book are likely to believe in the brain localization of all mental functions， this was a missed educational opportunity.
I. Another conclusion>patient. Treatments mentioned seem to be almost exclusively antiepileptic medications， which ＂damp down＂ the excitability of the brain in general； their effectiveness varies widely.
J. Finally， in many of the cases described here the patient with music-brain symptoms is reported to have ＂normal＂ EEG results. Although Sacks recognizes the existence of new technologies， among them far more sensitive ways to *yze brain waves than the standard neurological EEG test， he does not call for their use. In fact， although he exhibits the greatest compassion for patients， he conveys no sense of urgency about the pursuit of new avenues in the diagnosis and treatment of music-brain disorders. This absence echoes the book＇s preface， in which Sacks expresses fear that the simple art of observation may be lost＂ if we rely too much on new technologies. He does call for both approaches， though， and we can only hope that the neurological community will respond.
27-30：B C A A
31-36：YES NG NO NG YES NO
37-40：F B A D

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2021年9月4日雅思阅读考试真题与答案解析

9月4日的雅思考试是换题季后第一场考试，对于这次的雅思考试，想必很多学生都想要看看它的真题吧。那么下面就来给大家讲讲2021年9月4日的雅思阅读的考试真题与答案解析。

一、2021年9月4日雅思阅读真题与答案

Passage 1

主题：关于侦探小说的各种作家

参考答案：

Passage 2

主题：生物钟

参考答案：

14.G

15.A

16.E

17.C

18.D

19. 待回忆

20. exposure

21.hormone

22.rhythm

23.gene

23-26 多选 待回忆

Passage 3

主题：商业培训

参考答案：

二、雅思阅读步骤

1.快速阅读：平时进行大量的快速阅读。可选的阅读材料有：TIME, NEWSWEEK, THE ECONOMIST, CHINADAILY, 21st CENTURY等。因为雅思考试与时代紧密相连，具有一定的时效性，所以报刊文章为泛读的首选。阅读报刊文章应选择一般性的题材，如科普，社会问题，学术观点性的文章，而政治，军事，尖端科技的文章可以略过。采取的阅读方式为快速阅读。

2.难句突破：在精读和做雅思试题时，将复杂的难句摘抄出来，然后分析句子结构，彻底消化难点。虽然雅思阅读中不可能有原句重现，但是难句的结构是基本不变的。

3.词汇强记：词汇量不够，应进行词汇突击。雅思考试的词汇量约为6000~8000词。词汇量小也是导致阅读理解速度慢的重要因素。

4.模拟练习：接下来就要做雅思模拟试题，进一步熟悉考试题型。熟练掌握阅读题型。有两点需要特别注意：首先，雅思阅读的各种题型必须搞熟，尤其是主观题如简答、填空、概括等。其次，要看清题目，因为雅思阅读的问法比较灵活，可以是对/错/未给出答案，所以先看清楚要你做什么，再下手不迟，切忌做“无用功”。

5、总结技巧：注意分析阅读理解的套路，总结解题技巧。如果个人复习情况不佳，可以根据自己的实际情况选择合适的辅导班。

三、雅思阅读做题诀窍

1.Skimming and Scanning

雅思阅读测试的一大特色是同义词(synonyms)和释义表达(paraphrasing)。因此，考生在做此类题目的过程中，要首先判断哪个是关键词(keywords)，以及它的同义词，然后根据该词迅速在文章中寻找，准确定位(locatingtheexpectedinformation)，根据要求填空。

此外，雅思阅读一般取材于报刊、杂志等，因此平时应大量阅读英文报刊，像《英国镜报》、《卫报》等，以了解英文报刊文章的表达习惯和常用表达式。

2.good reading habits

很多中国考生在平时训练阅读时一遇到生词就想查文曲星、字典之类的辅助工具。考试中，由于雅思阅读考试的取材都来自原版报刊杂志，文章中必然出现不少考生没有见过或者很少碰到的生词，尤其是学术类阅读第三篇文章的词汇量往往很大，这时良好的阅读习惯就成了我们能否获取理想成绩的关键。

细心总结一下就可以发现，在很多情况下，形容词和副词是最难以记忆的，也就是我们最感生疏的，但是它们一般不太会影响我们的句子理解能力。

谁有雅思9分达人阅读3《The Bridge that Swayed>的答案，急用，谢谢

参考答案：1．他去乡下接爷爷进城住时发现爷爷为“帮”他还房债而去工厂做工。
2.“我”瞒着爷爷借钱*了房子。爷爷瞒着“我”去工厂做工。
3.反衬出了爷爷的善良、慈爱和无私。
4.示例：外貌描写。如“他穿一件洗得发白的蓝色工装，因为瘦，衣服像大了一码，风很大，爷爷的白发被吹得乱蓬蓬的。”刻画了爷爷节俭、辛劳的特点。
5.①从“我”的角度，围绕孝顺、懂事等展开，言之有理即可。②从爷爷的角度，围绕善良、无私、节俭、朴实、慈爱等展开，言之有理即可。（任选一角度）

以上就是雅思无忧为大家带来的2023年9月28日雅思阅读考试真题及答案 9月4日雅思阅读考试真题与答案解析 谁有雅思9分达人阅读3《The Bridge that Swayed>的答案，急用，谢谢，希望能帮助到大家，更多相关信息，敬请关注雅思无忧！

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