上海雅思培训-雅思英语写作口语修辞手法
!雅思写作中也会有很多高大上的修辞手法,
建议:掌握了这些方法,适当使用在写作文章中或者口语表达中,瞬间高逼格,有木有~~
1.Simile 明喻
明喻是将具有共性的不同事物作对比。这种共性存在于人们的心里,而不是事物的自然属性。
标志词常用 like, as, seem, as if, as though, similar to, such as等。
例如:
1).He was like a cock who thought the sun had risen to hear him crow.
2).I wandered lonely as a cloud.
3).Einstein only had a blanket on, as if he had just walked out of a fairy tale.
2.Metaphor 隐喻,暗喻
隐喻是简缩了的明喻,是将某一事物的名称用于另一事物,通过比较形成。
例如:
1).Hope is a good breakfast, but it is a bad supper.
2).Some books are to be tasted, others swallowed, and some few to be chewed and digested.
3.Metonymy 借喻,转喻
借喻不直接说出所要说的事物,而使用另一个与之相关的事物名称。
I、以容器代替内容,例如:
1).The kettle boils.
水开了。
2).The room sat silent.
全屋人安静地坐着。
II、以资料。工具代替事物的名称,例如:
Lend me your ears, please.
请听我说。
III、以作者代替作品,例如:
a complete Shakespeare 莎士比亚全集
VI、以具体事物代替抽象概念,例如:
I had the muscle, and they made money out of it.
我有力气,他们就用我的力气赚钱。
4.Synecdoche 提喻
提喻用部分代替全体,或用全体代替部分,或特殊代替一般。
例如:
1).There are about 100 hands working in his factory.
(部分代整体)他的厂里约有100名工人。
2).He is the Newton of this century.
(特殊代一般)他是本世纪的牛顿。
3).The fox goes very well with your cap.
(整体代部分)这狐皮围脖与你的帽子很相配。
5.Synaesthesia 通感,联觉,移觉
这种修辞法是以视。听.触。嗅.味等感觉直接描写事物。通感就是把不同感官的感觉沟通起来,借联想引起感觉转移,“以感觉写感觉”。
例如:
1).The birds sat upon a tree and poured forth their lily like voice.
(用视觉形容听觉,鸟落在树上,由它发出的声音联想到百合花)
鸟儿落在树上,倾泻出百合花似的声音。
2).Taste the music of Mozart.
(用嗅觉形容听觉)品尝Mozart的音乐。
6.Personification 拟人
拟人是把生命赋予无生命的事物。
例如:
1).The night gently lays her hand at our fevered heads.
(把夜拟人化)
2).I was very happy and could hear the birds singing in the woods.
(把鸟拟人化)
7.Hyperbole 夸张
夸张是以言过其实的说法表达强调的目的。它可以加强语势,增加表达效果。.
例如:
1).I beg a thousand pardons.
2).Love you. You are the whole world to me, and the moon and the stars.
3).When she heard the bad news, a river of tears poured out.
8.Paralleli* 排比, 平行
这种修辞法是把两个或两个以上的结构大体相同或相似,意思相关,语气一致的短语。句子排列成串,形成一个整体。
例如:
1).No one can be perfectly free till all are free; no one can be perfectly moral till all are moral; no one can be perfectly happy till all are happy.
2).In the days when all these things are to be answered for, I summon you and yours, to the last of your bad race, to answer for them. In the days when all these things are to be answered for, I summon your brother, the worst of your bad race, to answer for them separately.
9.Euphemi* 委婉,婉辞法
婉辞法指用委婉,文雅的方法表达粗恶,避讳的话。
例如:
1).He is out visiting the necessary. 他出去方便一下。
2).His relation with his wife has not been fortunate. 他与妻子关系不融洽。
3).Deng Xiaoping passed away in 1997. (去世)
10.Allegory 讽喻,比方(原意“寓言”)
建立在假借过去或别处的事例与对象之上,传达暗示,影射或者讥讽现世各种现象的含义。
例如:
1).Make the hay while the sun shines.
表层含义:趁着出太阳的时候晒草
真正意味:趁热打铁
2).It's time to turn plough into sword.
表层含义:是时候把犁变成剑
11.Irony 反语
反语指用相反意义的词来表达意思的作文方式。如在指责过失。错误时,用赞同过失的说法,而在表扬时,则近乎责难的说法。
例如:
1).It would be a fine thing indeed not knowing what time it was in the morning.
早上没有时间观念还真是一件好事啊(真实含义是应该明确早上的时间观念)
2)."Of course, you only carry large notes, no *all change on you. "the waiter said to the beggar.
12.Pun 双关
双关就是用一个词在句子中的双重含义,借题发挥。作出多种解释,旁敲侧击,从而达到意想不到的幽默。滑稽效果。它主要以相似的词形。词意和谐音的方式出现。
例如:
1).She is too low for a high praise, too brown for a fair praise and too little for a great praise.
2).An ambassador is an honest man who lies abroad for the good of his country.
3).If we don't hang together, we shall hang separately.
13.Parody 仿拟
这是一种模仿名言。警句.谚语,改动其中部分词语,从而使其产生新意的修辞。
例如:
1).Rome was not built in a day, nor in a year.
2).A friend in need is a friend to be avoided.
3).If you give a girl an inch nowadays she will make address of it.
14.Rhetorical question 修辞疑问(反问)
它与疑问句的不同在于它并不以得到答复为目的,而是以疑问为手段,取得修辞上的效果,其特点是:肯定问句表示强烈否定,而否定问句表示强烈的肯定。它的答案往往是不言而喻的。
例如:
1).How was it possible to walk for an hour through the woods and see nothing worth of note?
2).Shall we allow those untruths to go unanswered?
15.Antithesis 对照,对比,对偶
这种修辞指将意义完全相反的语句排在一起对比的一种修辞方法。
例如:
1).Not that I loved Caeser less but that I loved Romemore.
2).You are staying; I am going.
3).Give me liberty, or give me death.
16.Paradox 隽语
这是一种貌似矛盾,但包含一定哲理的意味深长的说法,是一种矛盾修辞法。.
例如:
1).More haste, less speed.
欲速则不达。
2).The child is the father to the man.
(童年时代可决定人之未来)三岁看大,四岁看老。
17.Oxymoron 反意法,逆喻
这也是一种矛盾修辞法,用两种不相调和的特征形容一个事物,以不协调的搭配使读者悟句中微妙的含义。
例如:
1).No light, but rather darkness visible.
没有光亮,黑暗却清晰可见。
2).The state of this house is cheerless welcome.
18.Climax 渐进法,层进法
这种修辞是将一系列词语按照意念的大小。轻重.深浅。高低等逐层渐进,后达到点。可以增强语势,逐渐加深读者印象。
例如:
1).I am sorry, I am so sorry, I am so extremely sorry.
2).Eye had not seen nor ear heard, and nothing had touched his heart of stone.
19.Anticlimax 渐降法
与climax相反的一种修辞法,将一系列词语由大到小,由强到弱地排列。
例如:
1).On his breast he wears his decorations, at his side a sword, on his feet a pair of boots.
2).The duties of a soldier are to protect his country and peel potatoes.